Analysis
of Paul Cezanne’s Contribution to Modern Art
By: Nick Pelletier
Over
the course of the semester we have discussed many different types of artists. From
impressionists to modernists, and everything in between, we have seen many
styles and talents. However there is one specific artist I would like to focus
on, and that is Paul Cezanne. This artist is a post-impressionist that lived
from 1839-1905. He produced art from the early 1860’s right up to the time of
his death in 1905. I would like to point out his key contributions to modern
art in this short narrative.
Before
this time, artists did not pay true attention to the value of the composition that
included multiple components.Cezanne was very good at making things that were
pleasant and well interpreted by the human eye. He took different aspects of a
good composition such as line and color. He created form out of these aspects
which really changed how modern artists made good composition. Cezanne, who wasn’t
satisfied with the prior impressionism art, sought to make his works a new type
of analytical discipline. He really made the concept of painting what is in
front of him an analytical project and revolutionized the ways modern artists
work.
He
was best known for the way he creates a work of art. His brush strokes were
always small and methodical, and it seems that he wasn’t painting large areas.
Rather constructing them one stroke at a time. He built paintings like people
build houses. Each area being a small piece that contributed to the overall structural
integrity of the image. In his still life’s there was a strict sculptural
dimension. He was able to analyze objects from multiple angles and incorporate
the qualities into the overall project. The way this artist was able to build
these compositions one small brush stroke at a time with so much criticism
going into each movement, was really revolutionary to modern art.
These
are the qualities that Paul Cezanne contributed to modern art. I personally
enjoyed learning about his history and the impact he was able to have at a time
that was really changing for the field. We are truly blessed to be able to
learn from these techniques and attempt them in projects of our own such as the
recent “multiple perspective fruit project.” I will continue to attempt these
techniques as they are truly a genius contribution to modern art.
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