Tuesday, July 14, 2026

Duel review draft

 Directorial Debuts/First Starts/Out the Gate/ Episode 1: Duel 


Directorial debuts is a series by new Why We Watch writer Anthony Carioscia where he tackles the first full length film of famous directors to see if they started their career with a bang, or if they had a rough start, and to see if there are any signs of the director’s later style in this debut film length work. Before we begin though there will be some rules for these articles. We will be looking at the directors first full length feature film so this means no shorts, no episodes of TV shows, no co-director works unless the film credits both directors in the director slot, no lost films that are impossible to watch in full, and we will not be counting their non-directing debuts. TV movies are allowed to be factored in though as this first article will be focused on a made for TV movie,the directorial debut of none other than the most famous director of all time, Steven Spielberg's Duel


Steven Spielberg is someone who needs no introduction. Born in Cincinnati,Ohio, Steven Spielberg is from a wave of directors that made their names in the late 60s and early 70s known as New Hollywood. This wave of directors changed mainstream Hollywood forever and included other famous directors such as Martin Scorsese,Brian Depalma,Peter Bogdanovich, Paul Shrader,George Lucas and William Friedkin. Spielberg's biggest contribution to Hollywood would be of course the invention of the Summer Blockbuster with Jaws being such a megahit that it made studios release all their planned blockbusters during the summer. This would eventually lead to mainstream studios putting the control back into their films vs mostly releasing director driven films like which at the time was common during the New Hollywood era. Spielberg would continue to make some of the most famous blockbusters of all time including Jurassic Park,The Indiana Jones series and ET.  He is also well versed in making acclaimed drama films something that though he had early examples with The Color Purple and Empire of the Sun, became his usual focus(with exceptions here and there) after the success of Schindler's List.  He also co founded the studios,Dreamworks and Amblin both which put out many hit films as well as worked as executive producer on several TV shows including the popular 90s cartoons animaniacs and Tiny Tunes and the critically acclaimed war based mini series Band of Brothers and Pacific. But none of this would likely exist if the man didn't give us a made for TV thriller known as duel. 


Duel premiered on ABC in 1971 and was written by Richard Mattheson who also wrote the short story of the same name which was published in Playboy earlier that same year. This was part of a series ABC would do at the time called ABC’s movie of the week. This was a series on ABC where a different made for TV movie would premier on that channel every week.  This series would end up producing pilots for popular shows like Kung Fu,and Starky and Hutch as well as several films that have become cult classics such as Trilogy of Terror(also based on Matheson stories),Crowhaven Farms and Satan's School for Girls. But back to Duel. Duel is about a traveling salesman played by Dennis Weaver is psychotically stalked by a mysterious truck driver. The film has very little dialogue and is mostly told through visuals and we never see the driver even is. 


Several of Spielberg's later tropes can be seen as well as the potential of the awesome director he would go on to be. Even this early in his career he was showing that he was a master behind the camera with its excellent cinematography. The style of the film is almost of that of a classic monster movie being filmed in a way to give the truck threatening characteristics kind of like what he would later do with the shark in jaws,and like with Jaws not showing the driver gives a sense of fear of the unknown just like what Jaws would later do with its limited footage of the shark. The style of the film would be leave people on the edge of their seats as t home and 2 years later, it would leave them on the edge of the seats in theaters when it was released to theaters with 16 minutes of extra footage.


So how does Duel rank with the director's later material ? Up there with with the greats,not only is this a good start but it's also his first masterpiece,one of the best TV movies ever made (yes I know that's a low bar….) and is up there with Last Man on Earth,The Omega Man,Legend of hell house ,Stir of Echoes and the third segment of Trilogy of terror. If you have not seen Duel fix that now, you are missing out!!!!

Thursday, May 11, 2017

Eric Fischl’s Paintings of Trump’s America

Eric Fischl’s Paintings of Trump’s America definitely doesn't show Donald's good side for sure. Beside the fact that it is Donald Trump I think the artist did a really good job with the colors. I liked that he painted the painting right after the election, I had the same reaction with the election he was surprised and confused by the outcome.



Wednesday, May 10, 2017

Eric Fishcl - Late America


This work by Eric Fishcl is a rather controversial one. Many believe that the old man keeling over next to the young boy holding the flag is supposed to symbolize his passing of responsibilities to a younger generation, as he is to old to carry on. Others claim that because he is white the painting is meant to say that white people don't know what to do. Regardless of what you think, it's a nicely coated painting with a sort of simplicity to it that makes it special. Very interesting in my opinion.

Thursday, May 4, 2017

Eric Fishcl's Late America

Late America is a charged political piece in reaction to our newest election results. This piece has some very interesting concepts that I would like to recognize. First of all the use of dark colors and a ominous background adds to a possible feeling of almost an impending doom. Secondly the white man lying down is an unwritten message regarding the white man not having the answers.

Daddy's Gone, Girl

While I think all of Eric Fishcl's new paintings are really well portrayed. I like this one the most. It has a depressed feel to it when you look at the lady and see her alcohol next to her, but then seems happy at the same time because the dog is swimming and it's sunny out. I think this portrays America right now, well.
I think that this painting is disturbing in that it gives the feeling that our older generation has made a mess of things, being the old man on the ground, and now the responsibility has been passed to the next genertation, being the child, in order to survive.

Eric Fischl


I think Fischl's pieces are amazing. The pool setting and its metaphorically meaning mentioned is genius. I think that a lot of the paintings' messages can be open for interpretation. However, it is clear that the control is lost. I think that maybe it's showing the fall of the rich dominant white man in America. The son hovering over the father draped in the flag shows the future, unsure of what's so wrong with the world- what the father could be so upset about. Children see nothing wrong with politics and race in general for that matter which could be why a youth is represented as America, showing hope. The daughter being set with a drink in a black gown is obviously post-father's funeral. According to the meaning of his past daddy's girl paintings, maybe she is free of him and his possible abuse. Or, maybe, she is a product of her father's ideas on social rank based on money and race and therefore the death of her rich father is the changing of her world that she was taught to live in-it is too late for her.